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Results 1 - 10 of 10 for course credit

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  1. Hell (L'Enfer)

    Posted Jul 27th 2006, 12:00am by Clarence Tsui

    ... Clarence Tsui Starring: Emmanuelle Beart, Karin Viard, Marie Gillain Director: Danis Tanovic Category: IIB (French) Just before the final credits roll on Danis Tanovic's Hell, ... Colours trilogy. Of course, it takes more than just visual style to make a good film. And Hell thrives in nearly every department. By interweaving the dead-end lives of three sisters, Piesiewicz ...

    http://www.scmp.com/article/558102/hell-lenfer
  2. From the vault: 1976

    Posted Sep 07th 2008, 12:00am by Clarence Tsui

    ... released, Salo, or the 120 Days of Sodom is still able to shock. The human carnage in the film is as disturbing as ever even in the age of ultra-violent Hollywood flicks. Of course, to judge Pier ... known for his treatises on politics and society, has included a 'bibliography of works' after the film's opening credits. That's understandable, as the film is more cerebral ...

    http://www.scmp.com/article/651746/vault-1976
  3. Law Wing-cheong

    Posted Jan 04th 2009, 12:00am by Clarence Tsui

    ... Clarence Tsui He might already have three directorial credits under his belt, but Law Wing-cheong remains mostly known as one of Johnnie To Kei-fung's most trusted lieutenants, having ... and how it's told that matters, not whether it's related to PTU. This film began with Yau Nai-hoi and Au Kin-yee's synopsis. Mr To approved it and that was it. Of course ...

    http://www.scmp.com/article/665776/law-wing-cheong
  4. Away We Go

    Posted Sep 10th 2009, 12:00am by Clarence Tsui

    ... homemaker says to her husband, when she reluctantly accepts his assurance that he can make her happy in the banal universe of American suburbia. Differences between the two films abound, of course ... its absurdities without going completely overboard, and is brought to life by the creditable ensemble cast's finely nuanced performances, whether it's Ejogo's frustrated ...

    http://www.scmp.com/article/692074/away-we-go
  5. The Dark Knight

    Posted Jul 17th 2008, 12:00am by Clarence Tsui

    ... (Nolan's first outing in the franchise). There is no shortage of high-octane action scenes, deafening explosions and car-flips augmented, of course, by the Batmobile. This being a Nolan film, ... Maguire. What lingers beyond the film's ending credits, however, is Nolan's questioning of heroism. The Dark Knight provides much more than just ear-splitting entertainment. The Dark ...

    http://www.scmp.com/article/645568/dark-knight
  6. Strings

    Posted Feb 02nd 2006, 12:00am by Clarence Tsui

    ... to the credit of Ronnow-Klarlund and his co-screenwriter, Naja Maria Aidt, that Strings doesn't become a spectacle that trades merely on its novelty value. Although never aspiring to postmodern ... that deal with mythology rarely expose the racial and caste-driven exploitation that finances the bombastic adventures of gallant, aristocratic iconoclasts. But then, of course, there are the 22 ...

    http://www.scmp.com/article/534779/strings
  7. Slumdog Millionaire

    Posted Feb 26th 2009, 12:00am by Clarence Tsui

    ... the final sequence before the closing credits. After nearly two hours of scintillating high drama- conveyed with great storytelling technique and visual panache- the film suddenly switches gears ... For example, he focuses on the widespread public fascination with cinema (as shown in the desperate lengths young Jamal goes to for Amitabh Bachchan's autograph) and, of course, television shows ...

    http://www.scmp.com/article/671286/slumdog-millionaire
  8. Worth the weight

    Posted Mar 27th 2006, 12:00am by Clarence Tsui, Lawrence Gray

    ... says Gray, who was something of a sumo fan. Gray has been a screenwriter for British television. His credits included such series as The Bill and Yellowthread Street, and work on an action ... see so many scripts [based in foreign countries] written by people who have only read a book- people in Los Angeles who hung out in scriptwriting courses.' A graduate in economics ...

    http://www.scmp.com/article/542091/worth-weight
  9. Panda-monium

    Posted Jun 22nd 2008, 12:00am by Clarence Tsui

    ... I don't generally think about, 'Oh, I'm Asian and they want me to be the snake, of course', or 'This role is tough so they'd want me to be the Dragon Lady',' ... and featuring anthropomorphic animals- allowed Kung Fu Panda to take creative liberties in attempting the cultural homage Katzenberg envisioned. To the credit of Osborne and Stevenson, the film defies ...

    http://www.scmp.com/article/642449/panda-monium
  10. WRITE & WRONGED

    Posted May 31st 2005, 12:00am by Clarence Tsui

    ... insipidly by actors. 'When films I helped write get rave reviews we rarely get the credit, but when something goes wrong we bear the brunt,' Ho says. For Divergence, for example, Benny ... University of Hong Kong, also conducts a diploma course in screenwriting. One name Ho does mention is To Chi-long, the writer of Jiang Hu. While director Wong Ching-po- who made his big-budget debut ...

    http://www.scmp.com/article/502581/write-wronged

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