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Inspired by Dunhuang cave paintings, new musical group is on a mission to revive ancient Chinese tunes

To judge by the art on the walls of China’s Mogao Caves, music was central to the lives of the Buddhists who painted them. Seeing their murals prompted Hong Kong musicians to form a group to bring alive the music of Dunhuang

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The exhibition Heavenly Music of Dunhuang at the Jao Tsung-I Academy in Mei Foo. Photo: Jonathan Wong
Yujing Liu

The first time Felissa Chan Wan-in saw one of the most iconic paintings in the ancient Mogao Caves in Dunhuang, northwest China, the young musician was struck by an inexplicable feeling of transcendence. Tears started welling up in her eyes.

“I don’t know what exactly it was, but I just felt touched and wanted to cry,” says the 24-year-old pipa player. Also known as the Chinese lute, the ancient instrument features prominently in the cave paintings, created by Buddhist pilgrims between the fourth century and the 14th century.

One of the caves at Dunhuang. The cave art includes thousands of depictions of musical instruments. Photo: SCMP
One of the caves at Dunhuang. The cave art includes thousands of depictions of musical instruments. Photo: SCMP
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Inspired by her experience, Chan and 10 fellow musicians who were on the same trip – all students or graduates of the Hong Kong Academy for Performing Arts – recently formed an ensemble dedicated to playing music of China’s Tang dynasty (618-907).

Called Gaudeamus Dunhuang, the eight-member group is made up of players of Chinese instruments including the pipa, sheng, zheng, ruan, dizi, and percussion. Funded by Hong Kong developer New World Development’s charitable foundation, it made its public debut last weekend at the opening of an exhibition about Dunhuang cave culture, called “Heavenly Music of Dunhuang”, at the Jao Tsung-I Academy in Mei Foo, Kowloon. Featuring photographs of the murals and musical recordings, it will run until August 5.

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