Review | Film review: A Chinese Odyssey Part Three - China reboot of 1995 classic a travesty
Jeff Lau’s original two-part adaptation of Journey to the West was a postmodern masterpiece, but this cash-grabbing Chinese production runs contrary to everything those films stood for. Lau should stop besmirching his legacy
0.5/5 stars
Even some of the most quintessentially Hong Kong films (McDull, Love in a Puff) have spawned sequels that are culturally fine-tuned to capitalise on China’s gigantic market. Still, it’d be very hard to think of a more pointless reboot than writer-director Jeff Lau Chun-wai’s A Chinese Odyssey Part Three, a mess of a film that relies on its title to shamelessly feign connection to his own classic two-parter, A Chinese Odyssey Part One: Pandora’s Box and A Chinese Odyssey Part Two: Cinderella.
It is worth remembering that the 1995 films were hugely inventive adaptations of the Chinese classic Journey to the West that infused its hallucinatory time-traveling narrative with inspired wackiness, including a most unlikely rendition of The Platters’ Only You. Widely considered a postmodern masterpiece in the Hong Kong pop culture canon, the Stephen Chow Sing-chi vehicle was, perhaps a little surprisingly, also a genuinely affecting tale of unrequited love so cheesy it could make Wong Kar-wai blush.
Near the end of Part Two, the fairy Zixia sacrifices her life to save her great love Joker (an incarnation of the Monkey King), who in turn regrets discovering too late his own feelings for her.
Contrary to everything that the original stood for, Part Three revolves around the resolve of Zixia (Tiffany Tang Yan) to set Joker (Han Geng) up with his other romantic interest, the demon Bak Jing-jing (Karen Mok Man-wai) – just so she can change the course of events and stay alive.