Review | Film review: A Cure for Wellness – Gore Verbinski’s sanatorium horror pales next to movie classics it borrows from
Beautifully realised but lacking narrative substance, this derivative film contains most of the genre tropes you’d expect but little of the tension
2/5 stars
For his first feature since the notoriously unsuccessful The Lone Ranger , director Gore Verbinski plunders the depths of horror cinema history to tell a story of nefarious goings-on at a sinister and secluded sanatorium.
Nestled in the picturesque foothills of the Swiss Alps, the exclusive Volmer Clinic promises miraculous treatments using little more than locally sourced water. But when the CEO of a troubled Wall Street finance company checks himself in, an ambitious young executive, Lockhart (Dane DeHaan), is tasked with retrieving him. Soon after his arrival, however, Lockhart begins to suspect all is not what it seems.
Embracing everything from Universal Monsters to Hammer Horror, A Cure for Wellness combines creepy European castles and restless commoners with meddling physicians and slimy, slithering grotesquery. Yet despite having proved himself an adept horror director in the past, especially with The Ring (2002), Verbinski fails to capture a whiff of atmosphere or tension.
During its two-and-a-half languid and laborious hours, the dubious practices of Herr Volmer (Jason Isaacs) and mysterious waif Hannah (Mia Goth) recall pre-code gems like The Island of Lost Souls and Dracula, as well as more recent offerings such as Shivers and The Shining.