Review | Film review: Love Education – Sylvia Chang contemplates the meaning of love in multi-generational relationship drama
Taiwanese director Chang adds to her list of nuanced emotional dramas, with this intimate story about three generations of a Chinese family and a dispute about the burial of a deceased family member
4/5 stars
It’s a cliché – and perhaps also biased – to point out how female filmmakers tend to be more adept at depicting the sentimentality experienced by women with nuance and dignity. But the Taiwanese-born writer-director-star Sylvia Chang Ai-chia has certainly made that notion seem more persuasive with her range of exquisite feminine dramas, from Tempting Heart (1999) and 20:30:40 (2004) to this new film.
A relationship drama revolving around women from three generations of a Chinese family, Love Education begins when the elderly mother of soon-to-retire teacher Huiying (Chang) dies. As Huiying insists on relocating her late father’s grave away from their ancestral home, complications arise when Nana (Wu Yanshu, Book of Love ), her father’s long-estranged first wife by an arranged marriage, objects vehemently to the idea.
Gradually, the farcical dispute would prove just a drop in these women’s reservoir of longings and regrets – with Huiying’s determination to affirm her parents’ lifelong love a reflection on the insecurities she feels in her own marriage to a gentle driving instructor (filmmaker Tian Zhuangzhuang); and Nana’s irrational devotion to her husband, who left for the city and never returned, a moving rebuttal to China’s history of polygamy.
Chinese art-house filmmaker Tian Zhuangzhuang on his Golden Horse-nominated role in Love Education – and why he really ‘can’t act’
Nana’s tragic love story provides an intriguing contrast to the ambiguous romance between Huiying’s television reporter daughter, Weiwei (Lang Yueting), and a travelling pub singer (Song Ning) with a complicated personal past. As the film contemplates the essence of love in a country that has overhauled some of its traditional values in just a few decades, Chang never loses sight of her characters’ humanity.