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Review | Secret Superstar film review: Aamir Khan, Zaira Wasim in Bollywood hit about domestic abuse and female empowerment

A musically talented Muslim girl overcomes her home life and abusive father, wearing a burka to perform on YouTube as she follows her dream of becoming a singing star in this socially conscious Bollywood hit

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Aamir Khan plays a top producer, and Zaira Wasim plays an aspiring singer, in Secret Superstar (category IIA, Hindi) directed by Advait Chandan.

4/5 stars

A big hit in China earlier in the year, this Bollywood film dutifully delivers all the expected content – songs, melodrama, a bit of spectacle, and some dancing near the end. But underneath the commercial sheen is a tough story about domestic abuse and female empowerment that dares to go deeper than most sweet and sunny Indian dramas.

Produced by superstar Aamir Khan, who features heavily as an actor in the second half, Secret Superstar skilfully manages to hold all the disparate elements in balance to deliver an entertaining but socially conscious blockbuster.

Meet the Secret Superstar of China, from India: Aamir Khan

The film is voiced as a coming-of-age story, even though that’s not its main concern. Insia (Zaira Wasim from Dangal) is a Muslim teenager with a talent for singing and playing the guitar. Her home life is miserable, as her father regularly beats up her mother, and threatens to smash up her guitar.

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Wasim, (right) in a still from Secret Superstar.
Wasim, (right) in a still from Secret Superstar.

Helped by her friend Chintan (Tirth Sharma), Insia secretly posts videos of herself performing on YouTube, with her face hidden by a burka. The “secret superstar” is an internet sensation, and is contacted by top producer/singer Shakti Kumar (Khan) for a record deal. But before she starts a career, Insia must free her mother from her abusive marriage.

Dangal star and Bollywood icon Aamir Khan says next film is ‘much bigger’ than record-setting wrestling drama

India’s energetic and freewheeling style of cinema can offer a new way of telling a story, not least because the concerns of the domestic market lead to a wilful disregard of genre restraints.

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