Spanish pop song Despacito tops charts for 16 straight weeks in politically divided United States
In the summer of 2017, US white supremacists have put on a show of force, the president is fighting for a wall to keep out immigrants and a Spanish-language song has achieved record success.
“Despacito,” Luis Fonsi’s infectious dance track rooted in Puerto Rico’s reggaeton music, on Monday marked 16 straight weeks at number one on the Billboard Hot 100 chart.
The 16-week streak ties for the longest reign at the top of the benchmark US singles chart with “One Sweet Day,” the 1995 tear-jerker ballad by Mariah Carey and Boyz II Men.
The feat is all the more remarkable as non-English music rarely dominates US airwaves nationwide, with the kitschy “Macarena” the last Spanish-language song to hit number one in the United States back in 1996.
In some markets, such as Miami, Los Angeles and New York, however, millions of Spanish-speaking locals do make up a large minority or in Miami’s case, a majority of locals.
Fonsi, celebrating on Instagram, hailed the record as “historic for Latin Music.”
The original featuring Fonsi can be seen below:
The version of the song with Justin Bieber can be seen below:
The moment in cultural tastes comes just months earlier President Donald Trump won an election on promises to crack down on immigration and last week he threatened to let the government shut down if he does not win funding to build a wall on the Mexican border.
While “Despacito” does not come from Mexico, its Latin flavour is unmistakable. Hispanics are the United States’ largest minority group. And most Hispanic Americans, more than 60 per cent, are Mexican-American.
Fonsi, a veteran Puerto Rican pop singer, turned to the beats of reggaeton, the often testosterone-heavy dance music of the US territory’s historically marginalised Afro-Puerto Rican community, with “Despacito” featuring the reggaeton star Daddy Yankee.
“Despacito” had its break on the mainstream US chart in a remix with pop celebrity Justin Bieber, who added a breathy English-language opening verse.
But it was the original that has soared to an all-time record on YouTube, reaching more than 3.4 billion views worldwide since January.
Robin Moore, a music professor at the University of Texas at Austin, said that Bieber undoubtedly gave the song a lift.
But he noted that reggaeton itself was “fundamentally about cultural mixture and international influences” and that politics rarely stopped such fusion.
Reggaeton’s sources include Jamaica’s dance hall rhythms, New York-born rap and beats from Panama, where Jamaicans and other West Indians came together to build the canal.
“So perhaps the disconnect between tendencies in politics and in the realm of popular culture is to be expected,” Moore said.
“It’s possible that the tendency is even more marked right now, with many listeners consciously or unconsciously demonstrating their rejection of anti-immigrant rhetoric coming from the Trump administration, and instead embracing diversity,” he said.
Data on “Despacito” by analytical firm BuzzAngle Music showed that the song had by far the most sales and streams in New York and Los Angeles, unsurprising considering they are the largest US cities, and fared especially well in fellow left-leaning coastal cities such as San Francisco and Boston.
The song has also won an audience far beyond the United States, topping charts across Europe, Latin America and Asia, although it was banned in Muslim-majority Malaysia over its lyricism, which even to a non-Spanish speaker is palpably full of sexual innuendo.
Alejandro Madrid, a professor of musicology at Cornell University, said that “Despacito” succeeded in part by reinforcing imagery of Latinos in a way made “more palatable to American taste.”
The song whose title means “slowly” in English plays off sexual metaphors but Madrid said that it was not nearly as explicit as much reggaeton, including earlier works by Daddy Yankee.
A post shared by Luis Fonsi (@luisfonsi) on Aug 28, 2017 at 11:54am PDT
“It is reproducing what one would expect from someone who is Latino but in a sort of tone-downed version,” Madrid said. “It allows an interaction with Latino culture – without it being aggressive but still keeping some of the ‘wild’ overtones.”
He also tied the song’s success to the greater visibility in the United States of Latinos who, even if facing political attacks, are also speaking out.
He drew a parallel to the 1990s when California saw a boom in Mexican-rooted banda music, just as Republican governor Pete Wilson was pushing Proposition 187 to deny services to undocumented immigrants.
“What I hear with ‘Despacito’ is Latinos saying – ‘We are here, we are Latino. Whether you like it or not, we are here to stay. And we are part of America.’”