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Classical music
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At Yo-Yo Ma China music camp, classical musicians learn improv, how to try new things, and trust

Nine days of classes in Guangzhou take students out of their comfort zone – and Ma, the event’s musical director, is always on hand to encourage, advise and inspire them to experiment and try the unknown 

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Yo-Yo Ma (centre), artistic director of YMCG (Youth Music Culture Guangdong), joking with students before a rehearsal at the Xinghai Concert Hall in Guangzhou, China. Photo: Xiaomei Chen
Bernice Chanin Vancouver

Nervous and excited, 65 young musicians gather in the Guangzhou Symphony Orchestra Rehearsal Hall for their first day of a nine-day music camp. Aged 18 to 35, most are from China, with a few from Taiwan, Hong Kong, Singapore, South Korea, Japan, the United States and France.

They all wear sweatshirts bearing the letters YMCG, which stand for “Youth Music Culture Guangdong”. Amid the sea of black shirts it is difficult to spot the music camp’s artistic director, renowned cellist Yo-Yo Ma, until he stands up on the conductor’s podium.

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The aim of the music camp is “deep learning”, Ma says, in which the students make connections with the people they meet, but also discovering what links classical music composers such as Beethoven and the improvisational Silk Road Ensemble that Ma founded in 1998.

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It is the second such annual musical camp hosted by Ma in the southern Chinese metropolis. Participation is free for those who pass video auditions, as is food and accommodation. Students’ only expense is the cost of their travel to Guangzhou.

Once on board, they are asked to reflect on what it means to be a musician today and how they respond to events as artists. Ma wants them to play Beethoven’s Symphony No. 3 in E flat major, the “Eroica”, because 2020 will see the 250th anniversary of the composer’s birth and because his works are reflections of events both personal and political.

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