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Hong Kong martial arts grandmaster Lam Sai-wing brought to life in 3D exhibition

Hung kuen-style kung fu master Lam was photographed showing his moves in the 1920s. Motion-capture footage of his descendants practising hung kuen was analysed and combined, resulting in a 3D animation of Lam in action

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A photo of Lam Sai-wing (left), grandmaster of hung kuen with his students in the 1920s.
Rachel Cheungin Shanghai

Fascinated by photography, Lam Sai-wing, a grandmaster of an important kung fu system known as hung kuen, was so drawn by the technology that he showed his moves in front of the camera, capturing each step in photos. That was in the 1920s, and little did he know, the pictures will enable future generations to bring his art back to life almost a century later.

Lam Sai-wing in a photo taken in the 1920s.
Lam Sai-wing in a photo taken in the 1920s.
A realistic animation of Lam’s Iron Wire Boxing is one of the highlights in the exhibition Lingnan Hung Kuen Across the Century: Kung Fu Narratives in Hong Kong Cinema and Community, which opens at the Hong Kong Visual Arts Centre on September 6.
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The team – International Guoshu Association (IGA) working with City University of Hong Kong – built a 3D model of Lam with his photos and captured the core motion data by having master Oscar Lam, the fourth generation carrier of the Lam family hung kuen style, demonstrate in a studio. The data was then mapped onto the model. But the story doesn’t end there.

3D models of Lam.
3D models of Lam.
“There are nuances or characteristics of each performer. Oscar’s performance is certainly his own and cannot be used to directly represent Lam Sai-wing,” says Hing Chao, curator of the exhibition and executive director of IGA.
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Lam Chun-fai demonstrates hung kuen.
Lam Chun-fai demonstrates hung kuen.
To present an animation that is closest to Lam’s rendition of Iron Wire Boxing, the team compared the motion capture data with performances by Oscar Lam Chuen-ho’s father Lam Chun-fai, historic photos of Lam Sai-wing and extrapolation of Lam’s teachings. The entire process took six months.

“We do it because we can,” says Jeffrey Shaw, director of the Centre for Applied Computing and Interactive Media at the City University, where the motion capture studio is located. “It’s a way of bringing the past into the present and making it more seductive to a contemporary audience.”

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