Advertisement
LifestyleArts

Postcard: Udine

Italy's Udine Far East Film Festival (FEFF) made its name by bringing quality commercial films from Asia to international audiences.

3-MIN READ3-MIN
The Far East Film Festival in the Italian town of Udine offers Western audiences a chance to watch glossy commercial fare made in Asia.
Richard James Havis

Italy's Udine Far East Film Festival (FEFF) made its name by bringing quality commercial films from Asia to international audiences. The 15th edition, which ended on April 27 in the charming northern Italian city that gave its name to the event, remained true to form, featuring glossy films such as China's labyrinthine historical drama The Last Supper, Hong Kong's Saving General Yang, and the surprise mainland hit Lost in Thailand.

But along with highlighting recent commercial fare, FEFF tries to position current releases in the context of film history, with retrospectives and parallel screenings. This year drew the audience's attention to two master filmmakers who are not as well known outside of Asia as they should be: Chinese director King Hu and Filipino art-house director Mario O'Hara, who died in 2012.

Hu, who made philosophical movies set in the world of martial arts, was celebrated with screenings of his masterpiece A Touch of Zen and the lesser-seen Raining in the Mountain. The screenings were augmented by the publication of King Hu in His Own Words, an informative English-language book of interviews, writings and lectures edited by Roger Garcia, executive director of the Hong Kong International Film Festival, and published by FEFF. Garcia also hosted a panel on Hu's writings.

FEFF has always tried to venture deeply inside the cinematic history of each country
Sabrina Baracetti, FEFF co-founder

As a tribute to the late O'Hara, FEFF screened his idiosyncratic and bleak supernatural drama Demons, and featured an equally idiosyncratic and inspired essay about the director and his career by critic Noel Vera in the festival catalogue.

Advertisement

"FEFF has always tried to venture deeply inside the cinematic history of each country," says festival president Sabrina Baracetti, who co-founded the festival with co-ordinator Thomas Bertacche. "King Hu is a master director, but here in Italy we don't know much about him," says Baracetti. "That's what started us thinking about the book with Roger Garcia about five years ago. We thought it would be an important contribution to cinema history, as there is no book on this topic available in English. We put a lot of effort into this publication, and we also thought it would be a great way to allow our audience to see some of King Hu's classic movies."

Rome Film Festival director Marco Mueller introduced Hu to Italy some years ago at the Torino (Turin) Film Festival, but Baracetti says she mainly learned of his genius from attendees at the FEFF: "So many Hong Kong directors who have come here have told us what a master filmmaker King Hu was. This applies to all different kinds of filmmakers, not just those who make martial arts films."

Advertisement

Hong Kong auteur Johnnie To Kei-fung, a regular at the FEFF since its inception, was one of them, she adds: "He would always tell us how much he admired King Hu, and the younger directors who came here as guests talked a lot about Hu as well. That inspired us, as festival directors, to want to know more about him so we could tell our audience more about his works."

Advertisement
Select Voice
Select Speed
1.00x