Played by Yen with an effective blend of deadpan delivery and formidable combat skills, Ip Man has been portrayed in the series as a family man from Foshan in southern China who involuntarily gets sucked into epic battles. Having defied Japanese occupiers in Ip Man, set in the 1930s, and restored Chinese pride against British colonisers in Ip Man 2, set in 1949 Hong Kong, this long-awaited sequel finds the legend in a relatively peaceful period in 1959 Hong Kong.

Still, the stability of Ip’s low-profile life is temporarily disrupted when local thugs – led by the henchman (Patrick Tam Yiu-man) of corrupt American businessman Frank (Mike Tyson) – are sent to vandalise the primary school his young son attends. Ip puts his prowess to pragmatic use when he volunteers to stand guard with his protégés in the absence of police protection. There he befriends Cheung Tin-chi (Max Zhang Jin), a fellow parent and wing chun exponent who aspires to Ip’s accomplishments.

Yen’s anticipated showdown fights with Tyson and Zhang are fastidiously choreographed by Yuen Wo-ping and mark the highlights in a sometimes meandering, often distracted narrative. But the soul of Ip Man 3 – ditching the nationalist sentiment that spurred Ip on to avenge a respected rival in each of the first two films – is really the poignant relationship drama that finally sees Ip shun the battles to take care of his long-suffering wife, again played with quiet dignity by Lynn Xiong Dailin.

For the first time in the series, the film doesn’t even feature a fight to the death. A respectable action drama that doesn’t try to replicate the pleasure of its predecessors, instead admirably turning to contemplate Ip’s priorities in life, Ip Man 3 will reward those who come in with no preconceptions about what an Ip Man biopic headed by Donnie Yen should be like. For the character has irreversibly mellowed and it’s left to audiences to respond in kind.

Ip Man 3 opens on December 24