Hardcore Henry puts film-goers in the shoes of the action hero
First-person perspective adds a degree of immersion to the cinema-going experience usually only found in video-game shooters such as Call of Duty. ‘It was immensely difficult to film,’ director says
Cinema-goers have a chance to be the hero in new action movie Hardcore Henry, with audiences seeing the film through the protagonist’s eyes.
Shot entirely in the first person, viewers look through Henry’s perspective as he wakes up in a laboratory run by his wife Estelle, remembering nothing about who he is. When the laboratory is broken into and Estelle is kidnapped, Henry and the audience go on a frenzied 90 minutes of first-person action, stunts and gore to get her back.
“It was immensely difficult, everything,” Russian director Ilya Naishuller says. “I think the most fun was the script because I got to write from the first-person perspective which was pretty fresh.”
This perspective is most prevalent in computer games but Naishuller, who made music videos for his band Biting Elbows with the same view, insists the movie is not a game adaptation.
“It was made with the cinema-goer in mind, it was a theatrical experience, and if you happen to play games you’re going to enjoy it a little bit more,” he says. “Everything Henry does in the film is done for real.”
Hardcore Henry, which has been praised for its technical style, first screened at September’s Toronto film festival and has its worldwide release this month.
Hardcore Henry opens in Hong Kong on April 21