Art house: The Great Buddha+ – Huang Hsin-yao’s acclaimed black comedy an acerbic satire of small-town corruption
Director’s dry, intrusive narration elevates a work that is reminiscent of the greats of independent cinema
The debut feature from Taiwanese documentarian Huang Hsin-yao is an acerbic satire of small-town corruption that has earned awards attention, including 10 nominations (one for best picture) at this month’s Golden Horse Awards. The Great Buddha+ follows a pair of frustrated labourers who find themselves surrounded by businessmen and local officials throwing around more money than they could accumulate in a lifetime.
Pickle (Cres Chuang I-tseng) is a middle-aged security guard at a factory that makes bronze Buddha statues. Living with his ailing mother, his only pleasure comes from best friend Belly Button (Bamboo Chen Chu-sheng), a recycler who brings him leftover food each night and, if he’s lucky, an old porno magazine to help wile away the small hours.
One night, they decide to watch footage from the dash-cam in the Mercedes of Pickle’s wealthy boss, Kevin (Leon Dai Li-ren). In among numerous steamy encounters and grovelling phone calls, they uncover a dark secret that could change all of their lives.