
"We just keep our eyes, ears and minds open to everything that is new; it's always an adventure," he says, during a visit to Hong Kong to talk on jewellery design at Hammer Gallery.
Munsteiner learned the freestyle technique from his father Bernd, who pioneered this approach in the 1960s. His father also taught him to value quality and beauty over profit. Unconstrained by production deadlines for seasonal collections, Atelier Tom Munsteiner cuts each stone independently of others. Munsteiner just keeps working until he's content with the shape. When he has 10 finished stones, he and his wife, master goldsmith Jutta Munsteiner, select one and turn it into a piece of jewellery. The other stones are either sold to jewellery houses or to buyers as works of art.

"I don't follow trends," he says. "I'm free with what I do. We show our pieces to customers around the world and they decide if it's good or not." Munsteiner says jewellery houses often lack innovation as they are more concerned with preserving the value of a stone. When a stone is cut to create one of the house's avant-garde pieces, its commercial, or carat value, is reduced.
