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Asian cinema: Hong Kong filmi

From Jackie Chan's action comedies to Stephen Chow's mo lei tau classics, from Wong Kar-wai's swooning romances to Donnie Yen's martial arts epics, and from the time where hundreds of movies were being churned out every year to the current market completely dominated by Louis Koo, this is the place to go for features, interviews and reviews about movies both classic and new from Hong Kong.

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The separate recognition of two of the city’s biggest screen stars – Chow Yun-fat and Tony Leung – at major international film festivals should inspire a new generation of creative talent.

  • ‘In the Mood for Love’ star picks up his 6th gong at recent Hong Kong Film Awards
  • Director says fostering young talent vital to keeping movie industry on track

Viva Erotica (1996) and Vulgaria (2012) are two contrasting Category III satirical films that reveal a different side of Hong Kong’s once-famed, often crazy adult movie industry.

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Martial arts film icon and the 2024 Hong Kong Film Awards’ Lifetime Achievement Award recipient Sammo Hung talks about his movies, stars like Donnie Yen, Bruce Lee and Jackie Chan – and eating.

Sandra Ng Kwan-yue, now a respected Hong Kong actress and producer, started out playing minor, unattractive roles in the 1980s. But through hard work and humility, she carved a path to success.

The same five titles dominate the nominations in all major categories of the Hong Kong Film Awards 2024. Post film editor Edmund Lee predicts the winners and reflects on who or what actually should win.

Writer and director Sasha Chuk stars in her debut film Fly Me to the Moon, which follows a young immigrant from mainland China as she struggles to live life in Hong Kong.

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He is among the biggest names in global cinema, inspiring Hollywood productions and setting the stage for other Hong Kong actions stars like Jet Li and Donnie Yen

Hong Kong actor and director Wu Ma had a prolific career in front of and behind the camera. His best film, The Dead and the Deadly, showed the formula for success.

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The big mystery about this suspense drama is how a film with such a promising scenario – a star-crossed romance, identity swap and cold-blooded murder – can turn out so dull, nonsensical and awful.

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Lingnan University research team says most of the film and TV industry workers face fragmented employment patterns, which make it difficult for them to seek fairer treatment.

Debbie Lam is a film producer who has worked with directors including Jackie Chan, John Woo and Wong Kar-wai. She thinks it’s time to give a new generation of Hong Kong directors the chance to shine.

The first two Ip Man movies, directed by Wilson Yip, use old-school kung fu, nationalism and fabrications to make the eponymous martial artist, and the actor who plays him, Donnie Yen, household names.

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Nicholas Tse, the son of actor Patrick Tse Yin and actress Deborah Lee, has not just had a successful singing and acting career, he also founded a restaurant chain and a post-production company.

A heist movie that looks like it was dreamed up by a five-year-old, We 12, starring all the members of Cantopop boy band Mirror, is witless, lifeless and above all dull. For true fans only.

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At the start of his career, Asian-American director Wayne Wang worked in his native Hong Kong and the United States, growing as a filmmaker, before shooting his first big hit, The Joy Luck Club.

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Actress Karena Lam talks to the Post about how making pottery became a creative outlet for her during Covid-19 and what it means to be a Hong Kong International Film Festival ambassador.

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Our pick of the 200 films being shown at the festival includes Korean mega hit Exhuma, 2024 Berlin best film winner Dahomey, and all the movies of The Banshees of Inisherin director Martin McDonagh.

Three hidden gems of Hong Kong action cinema, To’s judo film Throw Down, Lau’s kung fu comedy and Lam’s relationship drama within a crime story should be on the radar of any serious fan of the action genre.

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The meaning of home and family when one is kept apart from them by a pandemic is a big theme of Tsang Tsui-shan’s film about once-a-decade festivities in rural Hong Kong for which emigrants cannot return.

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From Bruce Lee’s golden get-up in Game of Death to the nightmarish long hair and white nightdress worn by antagonist Sadako in Japanese horror Ring, we look at 10 iconic looks from Asian cinema.

We Are Family, Hong Kong comic Eric Tsang’s film about rent-a-families, starts off as a farcical showbiz satire before taking viewers on an emotional roller coaster, and ends as a poignant tear-jerker.

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Official welcomes investment, while Federation of Hong Kong Filmmakers spokesman Tenky Tin says funding is largest he can recall by private sector.

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Two crime films Johnnie To shot in the early 2000s changed the game for the genre in Hong Kong – 2003’s PTU, starring Lam Suet and Simon Yam, and 2004’s Breaking News with Richie Jen and Nick Cheung.

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Bloodsport is not a great movie but it always entertains. The Hong Kong-set action drama is best known for propelling Belgian martial artist Jean-Claude Van Damme into the Hollywood big league.

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Netflix drama 3 Body Problem, from the makers of the Game of Thrones series, is an adaptation of Chinese writer Liu Cixin’s sci-fi masterpiece, and depicts the fight against an alien invasion of Earth.

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A charismatic Chung Suet-ying stars in coming-of-age comedy The Lyricist Wannabe as a woman who tries – and continually fails – to become a Cantopop songwriter.

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Jet Li reinvented himself in the 1990s from a period kung fu movie star to a modern action hero. We look at three of his gun fu films fusing firearms and fighting, before he left Hong Kong for the US.

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