
A lawsuit over pop star Jay Chou speaks volumes about China’s streaming war
Tencent bought up exclusive rights to some of the biggest names in music, forcing competitors like NetEase to sublicense
When people are looking to stream the latest surprise album from Beyoncé, they don't have to choose between Spotify or Apple Music. But in China, listening to some of the world’s most popular musicians requires using one of Tencent’s three dominant music streaming apps.
Meet NetEase, China’s second-largest game publisher
NetEase is Tencent’s biggest competitor in China’s music streaming industry. But its lone streaming app still doesn’t come close to the massive number of people streaming on one of three Tencent Music apps.

In its 2018 IPO prospectus, Tencent Music said it owned the largest music library with more than 20 million tracks licensed from more than 200 domestic and international music labels, including Sony Music Entertainment, Universal Music Group and Warner Music Group. While these companies generally try to spread their catalogues across as many platforms as possible to get the most listeners in the US, this strategy has been jettisoned for exclusive contracts in China.
Tencent, China’s social and entertainment giant
Tencent Music now has the exclusive rights to so much music that other companies often have to sublicense the music from the tech giant to compete with it. That’s how NetEase got access to Jay Chou’s catalogue.

But without licenses from the original labels, NetEase has little legal recourse.
“If Tencent has paid for the copyright of Jay Chou’s music, exclusive or not, while NetEase didn’t purchase the copyright, then it was intellectual property infringement,” said Forrester senior analyst Xiaofeng Wang. “Whoever owns the IP or paid for the IP has the preserved rights.”
But copyright lawyers in China have long debated whether the sublicensing model is healthy for China’s music streaming industry.
Tencent Music declined to comment on the matter. NetEase did not respond to our request for comment.
Whatever the merits or pitfalls of sublicensing, Wang notes that spending on copyrighted content is ballooning around the world.
“Global music streaming and video sites spend a lot on copyrights each year, and it’s getting more expensive,” Wang said. Now companies are turning toward investing in original content to reduce the cost of licensing other companies’ intellectual property, she added.
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For more insights into China tech, sign up for our tech newsletters, subscribe to our Inside China Tech podcast, and download the comprehensive 2019 China Internet Report. Also roam China Tech City, an award-winning interactive digital map at our sister site Abacus.
