The relationships between the individual and the environment are explored from very different perspectives by Kary Kwok Ka-chi and Eun-Myung Moon.
In I Am Not What I Am, Kwok tries to use the site of the gallery as a metaphor for the artist's body.
A small monitor carries an image of Kwok winking and raising his eyebrows to people walking past the full-length windows of the Fringe Gallery.
Inside, located close to the ground, is a tiny faint video projection of a foot being pricked by a needle.
Kwok has exhibited two different series of photographs. One consists of individual portraits, while the other is a set of diptychs, juxtaposing the artist with sceneries or architecture.
The single photographs challenge the viewers with Asian-Western stereotypes (with a perverse twist) from Bruce Lee, to Chinese Red Guards and gay 'roles' such as a houseboy.
More subtle and rewarding are the diptychs merging the 'body' with an outside environment.