Too much has already been said on Hong Kong's reunification with China. To the public, it is neither the doomsday that some politicians predict nor a cause for celebration, as others advocate.
For the directors of the four Hong Kong Incarnated: Hong Kong in Transition films, life will just go on after July 1 - and so will the struggles and fears accompanied with it.
The four documentary films are aimed at personalising the handover through the eyes of an individual or a group of individuals.
Amidst the Tide records the last-minute struggle between the Wong family in Fu Tei Chung Tsuen estate and the government officials sent to demolish their home. The 15-minute film captures some passionate shots such as the sobs of Mrs Wong and the yelling of the housing officials. The rudeness of the officials and the helplessness of the Wong family highlight the conflict between bureaucrats and the public, the powerful and the powerless.
In Little Fukien, the camera follows director Cheung Chit-cheung to the Fujianese neighbourhood where he spent his childhood. As a Fujianese immigrant himself, the film recounts the lives of Cheung and records the faces of those who have been living at North Point's Chun Yeung Street for most of their lives.
Celebration in the Time of Bitter Songs 97 and Getting Personal are two experimental vignettes of continuous fighting: for women's rights and personal space respectively.