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Giving voice to the power of speech

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SCMP Reporter

STICK your tongue out at Susan Date? How dare you. How could you do that to someone so non-threatening.

Date looks like everyone's aunt in her sensible shoes and the kind of clothes that forgive a second helping. She's the type you'd invite for a sherry.

But her voice changes the impression. She controls an audience with it. When she lowers the pitch, she's the dusky-voiced Lauren Bacall. When she raises it, she becomes a little old lady, rummaging the stalls of Portobello Road.

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''Here's one to use when you call in sick at the office,'' then she switched into a flu-stricken, sympathy-inducing nasal number.

She contorts her facial features like a mime artist and just one of her screeches could shatter crystal. Strangers, at first, hesitate when she invites them to feel her rib cage.

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But people respond to her challenges by getting down in front of her on all fours. And several dozen did recently when the British speech specialist held a workshop in the Fringe Theatre.

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