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Hannah Lee

Finding Nemo

A happy family of bright orange clownfish move into a new home under the watchful eye of a proud father, Marlin. But soon one of his sons, Nemo, ends up in an aquarium in a dentist's office. Marlin then embarks on a dangerous journey to rescue his son. Created by Pixar Animation Studios production, featuring the voices of Alexander Gould, Erica Beck and Albert Brooks.

Roger Ebert

Chicago Sun-Times

'Finding Nemo has all the usual pleasures of the Pixar animation style - the comedy and wackiness of Toy Story or Monsters Inc or A Bug's Life. And it adds an unexpected beauty, a use of colour and form that makes it one of those rare movies where I wanted to sit in the front row and let the images wash over me.'

Stephen Holden

The New York Times

'The humour bubbling through Finding Nemo is so fresh, sure of itself and devoid of the cutesy, saccharine condescension that drips through so many family comedies that you have to wonder what it is about the Pixar technology that inspires the creators to be so endlessly inventive. The capacity of computer-animation to evoke a three-dimensional sense of detail obviously has something to do with it. But the enterprise still wouldn't amount to much without the formidable storytelling talents driving it.'

Kenneth Turan

Los Angeles Times

'We've suspected it for some time, but Finding Nemo all but makes it official: with five successes out of five attempts, Pixar Animation Studios is now the most reliable creative force in Hollywood. Perhaps not since Preston Sturges made seven classic comedies in a row between 1940 and 1944 has one name been such a consistent indicator of audience and critical pleasure.'

The Italian Job

Based on the 1969 Michael Caine film of the same name, in which a band of thieves pulls off the ultimate heist by rigging LA's traffic lights so they can drive right out of the city with a car full of gold. They get away in their Mini Coopers, which are small enough to drive on sidewalks so they can make a clean getaway.

Roger Ebert

Chicago Sun-Times

'I saw The Italian Job in a Chicago screening room, in the midst of a rush of new summer releases. I recollect it now from the Cannes Film Festival, which has assembled one unendurable film after another for its worst year in memory. That doesn't make The Italian Job a better film, but it provides a reminder that we do, after all, sometimes go to the movies just to have a good time and not to be mired in a slough of existential despond.'

Stephen Holden

The New York Times

'The screenplay by Donna Powers and Wayne Powers insinuates just enough character detail to render its conspirators slightly more than skin-deep. And as is often the case with the caper genre, the criminals are painted as likeable rogues whom you're encouraged to champion simply because they're good at what they do.'



''What the critics say''