Gandhi (1982) In his career-defining role as the Indian spiritual leader, Kingsley's passive/aggressive turn showed the world what theatre-goers in Britain already knew: here was a man of immense talent. Full of steely, understated strength, it's little wonder that director Richard Attenborough wanted Kingsley alone. When it came to the Oscars, the result was never in doubt.
Death And The Maiden (1994) Charting a career course that would take him far away from Gandhi, Kingsley surprised many by taking on the role of a man who may or may not be hiding a nasty little secret. But it was an inspired choice. Director Roman Polanski's cold touch allows Kingsley to slowly unravel the creepy side of his character, Dr Roberto Miranda. Watching his story come apart makes for uncomfortable - but riveting - viewing.
Sexy Beast (2000) In Don 'Malky' Logan (below), Kingsley creates one of cinema's truly frightening characters. From his first words - not fit for a family newspaper - you know this man has evil of an almost biblical level throbbing in his veins. It's about as far from Gandhi as a man can get. His mere presence reduces those around him to simpering wimps - no mean feat when you consider that one is hardman Ray Winstone. Only on his demise can everyone involved - audience included - can breathe easily. Oscar nominated, Kingsley lost out to Jim Broadbent in Iris.
