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Swede sounds of Scandinavia's funkiest collective

3-MIN READ3-MIN
Robin Lynam

Just under a year on from Ulf Wakenius' performance here as part of last year's Leisure and Cultural Services Department's Jazz Up programme, we have another of the leading lights of Swedish contemporary jazz coming to Hong Kong.

Nils 'Redhorn' Landgren - so called not for reasons of association with bloodthirsty Vikings but because he plays a red trombone - is widely regarded as one of the finest European exponents of

his instrument.

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Furthermore, he's bringing some good company with him. Rigmor Gustafsson and Viktoria Tolstoy are two of the country's most highly acclaimed vocalists, and tenor saxophonist Karl Martin Almquist, pianist Jonas Ostholm and bassist Thobias Gabrielson are all highly rated in their home country.

Sweden's love affair with jazz dates back to the 1920s, when the first 78s of the music were imported, and Louis Armstrong, Benny Carter, Coleman Hawkins and Duke Ellington all played there during the 30s.

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In the post-second world war years, because of the highly appreciative audiences, American jazz musicians loved visiting the country. Charlie Parker undertook a Scandinavian tour in 1950 with an all-Swedish band, and Stan Getz recorded a jazz arrangement of a Swedish folk tune that became a standard, retitled Dear Old Stockholm. The tune was a favourite of John Coltrane.

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