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Hermes rides high but equine spirit faces special mainland challenge

4-MIN READ4-MIN
Anna Healy Fenton

'We are not a brand, we are a signature.' So pronounced Christian Blanckaert, executive vice-president for international affairs at Hermes, on his recent to Hong Kong visit.

'We are committed to sell, but we are signing, not marketing. Sometimes a product does not sell, it doesn't matter, we are proud of them anyway,' he continued.

'Luckily most are successful. We would never market a product we did not like.'

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It's a novel approach to satisfying shareholders, but then the elite French luxury goods maker has not earned its place in the winners' enclosure by following the field.

The Hermes trademark - a horse-drawn carriage - reflects its 1837 origins as a Paris saddler. The business evolved: saddlebags gave way to luggage, wallets, and handbags. Hermes accessories became synonymous with royalty and celebrities, and it was helped along in the 1950s by Princess Grace of Monaco, formerly actress Grace Kelly, who made famous the Hermes 'Kelly' bag.

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The company's reputation for impeccable craftsmanship, its enduring operation under family ownership and management, and jealous protection of the brand's mystique set Hermes apart from its competitors.

Much credit for Hermes' success is due to Jean-Louis Dumas, chairman and chief executive, and a fifth-generation descendant of the company's founder.

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