It was a busy, if mixed, year for the arts in Hong Kong. While visiting acts provided most of the highlights, local ensembles and individuals offered some innovative and delightful surprises. Our critics share their views
THEATRE
It has been a busy year for theatre-goers. Although I don't have official figures at hand, the number of drama productions in 2005 is likely to rank as one of the highest in Hong Kong history. More than once I spent my entire weekend watching performances. Many productions run for such a short time, usually over only one weekend packed with five to six performances, that I don't want to miss any potentially enthralling shows.
Jim Chim Sui-man, co-artistic director of Theatre Ensemble, has found a way round the problem of having short runs for his Man of La Tiger. Since its premiere in March, this one-man show has had a record 67 performances in nine months. Chim's stint in local movies has boosted his popularity, which helps attract newcomers to the theatre. It is a good example for other artists and groups to learn from, especially regarding marketing and programme planning. I would not hesitate to pick this show as the Phenomenon of the Year.
The two productions that impressed me most and irritated me most this year came from the Hong Kong Arts Festival.
French Kiss, with playwright Cancer Chong's well-crafted script and two competent actors - Lee Chun-chow and Faye Leong - asks some profound questions about the human psyche and relationships.