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Stick with the script for double happiness

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They may still adorn homes and village doorways for aesthetic reasons, but what makes couplets - a unique form of Chinese calligraphy - so fascinating is what lies beneath their external beauty.

Qing dynasty (1644-1911) scholars appreciated their harmony. Executed with master brushstrokes in ancient and regular scripts, the finest examples can be both poetic and humorous.

The form has lost none of its charm, as an exhibition at the Art Museum of the Chinese University of Hong Kong shows. Double Beauty II features 150 couplets from Harold Wong's Lechangzai Xuan Collection, which comprises about 500 couplets and is one of the best in the world.

Couplets typically articulate the aspirations of their owners. Wong says he remembers being attracted to them as a child, when his father used to hang them in their home.

One of his father's favourites was: In the twilight of his life, the great man is yet hale of heart/ The ageing steed lies in his stable, but still longs to gallop a thousand miles.

Those familiar with Chinese literature will know the reference to Cao Xueqin's novel, Dream of the Red Chamber, in which Jia Baoyu is ordered to compose couplets to highlight the grandeur of the new garden inside the family's residence. Without couplets, the place would be considered lacking in taste.

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