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What is the best way to support the film industry?

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The decision by the Film Development Council to ignore new talent in its first funds distribution will prove another setback to the industry in Hong Kong.

The council has chosen 'established' studios as the beneficiaries of its paltry support for the industry.

As the chairman of the I Shot Hong Kong Film Festival and chief executive of a Hong Kong-based production company, I firmly believe the government is compounding the mistakes that have caused the industry to slide to all-time lows here.

The film industry in every other Asian country is booming. Why? Because those country's governments and established studios are identifying new talent and supporting them through funding, education and local film festivals. That is not happening in Hong Kong. We are being left behind to the point where recovery seems only possible through mainland intervention.

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In 1988, 350 films were made in Hong Kong; last year the figure was just 50. Audiences here have matured faster than the established industry and are eager for fresh faces and fresh ideas.

Government funding should focus on establishing world-class film education institutions, independent filmmaking, film festivals and other activities which promote filmmaking at a grass-roots level.

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