bodyType

customContents

entityId

entityUuid

articlePageQuery

filter

article

articleBaseAdvertisingInfoArticle

articleListArticle

articleSeoArticle

helpersCheckIsPostiesArticle

hooksArticleAcknowledgementGateOverlayArticle

hooksTrackPageViewArticle

hooksContentInterestArticle

articleLinkingDataContent

hooksAmpRedirectArticle

articleSchemaContent

liveArticle

advertZone

sentiment

contentLock

topics

types

sections

paywallTypes

createdDate

publishedDate

moreOnThisArticles

urlAlias

commentCount

authorLocations

authors

corrections

sponsorType

displaySlideShow

multimediaEmbed

printHeadline

seriesContainer

articleSpeeches

socialHeadline

headline

images

flag

firstTopic

glossary

flattenTypeIds

additionalInfoBoxes

quizIds

image

relatedLinks

relatedNewsletters

__typename

sponsor

pdfFiles

seriesReverseOrder

series

disableOffPlatformContent

published

updatedDate

summary

subHeadline

body

keywords

readingTime

customTimezone

liveContents

Natasha Rogai

The Nutcracker
Hong Kong Ballet
HK Cultural Centre Grand Theatre
Reviewed: Dec 14
The Nutcracker at Christmas is the cash cow for ballet companies worldwide and  Stephen Jeffries' classic production for Hong Kong Ballet (HKB) is back for its annual run for the  11th year in a row.
Act 1 of The Nutcracker is where the Christmas magic lies, while Act 2 is a divertissement which offers a showcase for pure dancing. HKB's The Nutcracker has always been notable for the warmth and sparkle of Act 1, but this time felt  lacklustre. The vivid acting and sense of teamwork that distinguished the production in the past seemed muted, although it was still a pleasure to see  performances  such as  Conrad Dy-Liacco's Grandfather and  Laura Zambon's Maid. As Young Clara, Li Ming  danced extremely well but needs to work on her interpretation.
The Waltz of the Snowflakes was a little untidy but should improve into the run. As the Lead Snowflakes,  Kyoko Tomimura and  Chantel Elizabeth Roulston  danced well, but their difference in height jarred on the eye. Act 2 was a delight,  with a  sensuous Arabian dance from  Jin Yao and  William Lin, and a fiery Spanish dance from Roulston partnered by  Kenji Hidaka.
As Clara/The Sugarplum Fairy and her Nutcracker Prince,  Faye Leung (below) and  Zhang Yao danced magnificently, negotiating the severe technical demands of their two pas de deux with admirable ease and confidence. Their Act 1 pas de deux was the evening's highlight.
Peter Farmer's designs were as beautiful as ever and the HK Sinfonietta was in good form under the capable baton of Ormsby Wilkins, a  conductor who knows how to do the music justice while remaining sensitive to the dance.



The Nutcracker