George, Being George
edited by Nelson Aldrich Jnr
Random House HK$240
The use of oral biography to tell the story of a celebrity is a risky nod to the full life and broad mind of the subject. A good celebrity oral biography needs a subject with lots of notable friends. It helps if those friends hint at competing agendas or contradict each other to cement their version of the life.
And it is just about crucial that the life has a few contradictions, a handful of failings for the friends to rip open or skip over. I'll Sleep When I'm Dead, Crystal Zevon's 2007 slant on her former husband, songwriter Warren Zevon, showed celebrity oral biography thrives only when the subject is a nasty artist.
George Plimpton might as well have written a mandate for an oral biography on his life when he edited two such books, on actor Edie Sedgwick and writer Truman Capote, before he died in 2003. But he is also perfect for the form - even though he was thoroughly pleasant - thanks to a vast collection of friends from an astonishingly successful networking career.
Hence George, Being George: George Plimpton's Life as Told, Admired, Deplored, and Envied by 200 Friends, Relatives, Lovers, Acquaintances, Rivals - and a Few Unappreciative Observers.