IT WAS not one of Hollywood's greatest efforts but the 1957 film, Twelve Angry Men, starring Henry Fonda, at least gave some insight into the behind-the-scenes deliberations of a jury.
IT WAS not one of Hollywood's greatest efforts but the 1957 film, Twelve Angry Men, starring Henry Fonda, at least gave some insight into the behind-the-scenes deliberations of a jury.
Angry the jurors might have been, but in those days they didn't know how easy life was. If the movie was remade in 1994, deciding whether the defendant was guilty or not would have been the least of their worries. Most of the film would be taken up showing how the 12 were selected from 300 potential jurors after intense public questioning about their politics, private life and religious views.
The American social fabric has changed so dramatically in recent years that the right to a fair trial has become inseparable from the right to select who you want to serve on a jury.
No longer are jury members impartial guilt-detecting robots: they are walking, talking potential enemies, imbued with every political, personal and moral prejudice in the United States today. Not only has mass television coverage of criminal cases made finding an unbiased juror hard enough, but once a relatively clean candidate has been lined up, many other social influences come into play, including race, gender, age, and opinions on everything from abortion to who is going to win the World Series.
Even what tie you wear.
