When the mainland authorities cancelled a Norwegian musical that was scheduled to be performed in Beijing and Wuhan, recently - apparently in response to the award of the 2010 Nobel Peace Prize, which is given by the Norwegian Nobel Committee, to dissident Liu Xiaobo - Joe Chung's friends were baffled. They wondered why China couldn't separate politics from art. With a shrug, Chung replied: 'It's just a way of saving face.'
In his neck of the woods, Chung is somewhat of an authority on Chinese affairs - and not only because he is the author of best-sellers I Don't Want to be Chinese Again and China is Stranger than Fiction. It is also because he is one of only 400 Chinese people living in Stavanger, in southern Norway. Most locals in the coastal city don't know much about the mainland, says Chung, 'but they generally see China as having a great culture. I only have to write a simple Chinese character and people are in awe. But they haven't seen the dark sides of Chinese culture'.
Criticism of his homeland informs every chapter of his books, released to much acclaim in 2007 in Hong Kong and Taiwan but, perhaps inevitably, banned in the mainland. Hong Kong writer Ni Kuang considers I Don't Want to be Chinese Again 'one of the few good books in life', although some critics argue the author's views are too radical.
Chung is largely oblivious to the debate, however, enjoying a quiet Scandinavian life with his wife and one-year-old twins.
Before moving to Norway, Chung had been involved with pro-democracy groups in Hong Kong. His idealism, he suggests, stems from an unhappy childhood dominated by an authoritarian and abusive father, a farmer in Yuen Long.
'He was a little Mao Zedong. He deprived me of my freedom, dignity and privacy. So I grew up feeling particularly indignant when seeing other people's freedom taken away. In hindsight, my father was just unwittingly continuing a bad Chinese tradition of over-controlling children.'