Can watching films make you a morally better person? Hong Kong Film Archive programmer Sam Ho See-wing thinks so - especially if you watch the 100 films the archive has recommended. The selection of films produced between 1916 and 1999 spans a variety of genres including martial arts flicks, cops and robbers thrillers, love stories and gambling sagas. The movies were selected by a panel of six film experts primarily on artistic grounds, and will be screened every second and fourth Saturday each month over four years beginning next month at the Sai Wan Ho centre. Ho, one of the panellists, said: 'The 20th century is the film century all over the world. And Hong Kong's cinema, out of all art forms, is the one that has had the most significant international impact.' A highlight is director Alex Cheung Kwok-ming's Man on the Brink (1981), which catapulted the undercover cop genre into the big time. 'The importance of the undercover cop theme is more important in Hong Kong than even Hollywood cinema,' Ho said. 'It is a morally ambiguous figure. He is at once a cop and a robber, at once a good and bad man. The undercover cop is able to address the complexities in crime, and in humanity as a whole.' Director Wong Jing's film God of Gamblers (1989) has been chosen as the cream of the crop when it comes to Hong Kong gambling films. To restore and give credit to old films is an indicator of a country's maturity, said Ho, and now is a good time to do so. 'Restoring our past in many ways is a luxury to people,' he said. 'There's a Chinese saying: When you are starving, you don't care about your past. When your stomach is full, you start to care about other things.' Ho highlights another movie, Comrades, Almost a Love Story (1996), which he said is reflective of Hong Kong society in the 1990s in capturing the assimilation of new immigrants from China. 'On the surface, you think it is a sappy romance, but it is so much more.'