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Enoch Yiu

Chinese firms trading in Hong Kong step into the spotlight as arts and sport sponsors

Second night and finale of next year’s Arts Festival sponsored by two big mainland banks

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China Construction Bank is sponsoring the opening performance of Zurich Ballet’s Anna Karenina while its peer Industrial and Commercial Bank of China is sponsor of the finale performance by the Estonian National Symphony Orchestra and its male choir. Photo: David Wong
Enoch joined the Post as a business reporter in 1996.

Mainland Chinese companies have replaced US firms as Hong Kong’s largest non-local financial firms, according to the securities regulator. Now the same Chinese companies have displaced their US counterparts as the city’s biggest arts event sponsors.

The Securities and Futures Commission reports that 13 per cent of local brokers, fund houses and financial advisers are now owned by mainland companies.

Separate data from the city’s arts festival organiser shows that these companies are not only interested in trading stocks and funds but are also keen on supporting arts events.

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The 46th Hong Kong Arts Festival has a HK$125 million (US$16 million) budget for the more than 100 programmes to be performed by over 1,700 artists worldwide in February and March next year. Its income sources include 14 per cent from Hong Kong government funding, 32 per cent from box office ticket sales, 36 per cent from corporate sponsorships, and the rest from other individual donations. Not surprisingly, the largest number of non-Hong Kong corporate sponsors this year are big mainland Chinese names.

A sculpture of a lone figure by British artist Antony Gormley stands on a rooftop ledge of a building in Hong Kong's financial district, in Central Hong Kong. Photo: EPA
A sculpture of a lone figure by British artist Antony Gormley stands on a rooftop ledge of a building in Hong Kong's financial district, in Central Hong Kong. Photo: EPA
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While some may think Chinese companies would only want to sponsor mainland performers, the sponsors’ list shows that the mainland firms have international taste.

The Hong Kong Jockey Club Charities Trust is sponsoring the opening of the festival while China Construction Bank is sponsoring the second night performance of Zurich Ballet’s Anna Karenina. Its peer Industrial and Commercial Bank of China is sponsor of the finale performance by the Estonian National Symphony Orchestra and its male choir.

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