OpinionPrince, Bowie, Jackson – the idols of my youth who helped me find my way
Peter Kammerer reflects on three beloved stars who took weirdness into the mainstream and gave an outsider like him a sense of belonging
Three names invariably top lists of the most influential classical music composers of all time: Beethoven, Brahms and Mozart. I wonder whether, in their day, they were as weird and freaky as the rock and pop trio who dominated the years of my teens and 20s: David Bowie, Michael Jackson and Prince?
Certainly, for creativity, they were a match on every count. But could Mozart dance like Michael, was Beethoven considered as funky as Prince, did Brahms have the glam of David? Centuries from now, will these icons of my youthful years even still be listened to?
When Prince played Hong Kong: memories of a funk-filled night beside Victoria Harbour
They are all gone now, Bowie and Prince this year within four months of each other. They died too young, but their creative high points had passed a generation ago.
Jackson outstrips all in sales, making him the undisputed king of pop. An argument goes that he also had the greatest cultural impact through his dance and videos. But he was not as ever-changing or creative in his music as either Bowie or Prince.
Without doubt, Prince was the most prolific – he is believed to have left a vault of more than 1,000 unreleased tracks.
Research shows that, for the majority of us, musical tastes are formed in the early teens. By our 20s, the playlist of our life has been all but set in stone and there it will stay, a favourite to our dying day.
