Fame and celebrity
Get more with myNEWS
A personalised news feed of stories that matter to you
Learn more
Jonghyun performs during a SHINee concert in Hong Kong in 2012. In a note revealed after his death, the singer said that the depression he had battled for many years had “finally engulfed me entirely”. Photo: AP

Death of SHINee singer Jonghyun shows the extreme pressures of South Korea’s celebrities

Anson Au says that following the suicide of the K-pop singer, we need to take seriously celebrities’ need for privacy and their mental health concerns

Jonghyun, the lead singer of the K-pop band SHINee, was a favourite of my generation, and the face of K-pop’s global influence. SHINee was an icon of an industry, bringing newfound attention to a country we’d scarcely heard of. Over the decade since the group’s inception, the industry has swollen to become a powerful machine, churning out idols from a mould.
Kim Jong-hyun’s death this week again highlights the problems of the K-pop celebrity culture. Han Geng’s infamous departure from Super Junior in 2009 brought to light the challenges of fame evoked ever since by prominent K-pop idols, ranging from pressures from talent management companies bent on turning boys and girls into profit machines to Faustian contracts binding stars to micromanaged schedules and putting them at risk of abuse at the hands of those who control their careers.

Already isolated from normal, settled lives, they are surrounded by an ocean of screaming fans. Unable to be taken seriously when they voice their problems, they are doubly bound in silence by the taboo of mental health problems. These problems are often denied and dismissed as natural symptoms of stress, expected to go away with age and maturity.

SHINee singer Jonghyun’s final message before suicide: ‘the depression finally engulfed me entirely’

This needs to change. Serious attention needs to be paid when individuals groan under the weight of their burdens. Professional mental health treatment should be sought and given. Everyone needs a village. So do the stars. They must be permitted one, away from the fetters of stardom.

In suicide prevention, sometimes all it takes to save a life is a minute of your time

Jonghyun’s suicide warns us of the pitfalls of fame. “If anyone knew what being famous was really about,” the singer Sia once recalled in a 2013 interview, “no one would want fame … it is a monster that questions everything there is to question. Even things I had never thought to question. Things I had never dreamed of feeling insecure about.” As a tribute to her concerns about privacy, she created her trademark: an oversized bob-cut wig to mask all the parts of her face that we might recognise as hers.

My mental health research confirms the health benefits of privacy, as something just as important as social support – it is a space where one can exist freely, be however they wish, do whatever they wish and live free of judgment, if not obligation, to the social demands that life imposes.
Tearful fans gather to visit the mourning altar for Jonghyun, the 27-year-old lead singer of K-pop boy band SHINee, in Seoul on December 19. Photo: AFP

Where Sia carved out a space for freedom and privacy in the anonymity of a wig, Jonghyun sought it out in the next world, since he couldn’t find it in this one.

Anson Au, a fan of SHINee, is a visiting researcher in the Department of Sociology at the Hong Kong Baptist University

This article appeared in the South China Morning Post print edition as: When fame shines too bright