What the popularity of a Qing dynasty drama, The Story of Yanxi Palace, says about China’s appetite for feminism
Haining Liu says underlying the runaway success of the Chinese TV series are regressive and patriarchal attitudes to women that persist even in the aftermath of China’s #MeToo movement
What’s not to like? The residents of the Forbidden City looks fantastic in luxurious silk costumes with beautiful accessories. The series works even better if the female viewer imagines herself as the heroine, adored by the most powerful man, defeating every other woman to win his heart and being chosen as his favourite consort. The combination of love and power is intoxicating.
But every time I threw myself into watching the series, something didn’t feel quite right.
In The Story of Yanxi Palace and many similar Qing court dramas, a woman’s virtue is judged by how obedient she is to her husband, the emperor, and how many male offspring she provides him with. Her existence is defined by the status conferred on her by one man in exchange for her own identity. To be successful on this path, she must be pretty, fertile, gentle and resourceful, embodying perfection without being herself. On her deathbed, the first wife of the Qianlong Emperor is said to have yelled out, “Who am I really?”, offering an unusual feminist twist.
“Feminism” is not a popular word in China. Occasionally, when I try to strike up a conversation about women’s rights with family or in the workplace with male friends, I am greeted with a bewildered look, followed by the blunt question: “Are you a feminist?” The next question, which is also part of the argument, is: “Chinese women already have many rights. What more do you want?”
In theory, what Western women had to fight for over decades, such as the right to vote or access to education, was granted to Chinese women in one go. When the People’s Republic of China was established in 1949, gender equality was written into the constitution. Chairman Mao declared that women in China should “hold up half the sky”.
But not having to fight for equality means we do not appreciate the value of it. The rights were gifted to us. Consequently, decades later, we are still living in the logic of Qing court dramas, inhabiting men’s worlds, abiding by their rules and defining our values against their preferences.
Sound familiar? It is not evil if a woman chooses marriage as a shortcut to fulfilling material needs. Yet turning that into a social norm and letting the logic of Qing dynasty concubines influence our mindset today puts women in a very compromising position.
Some fundamental understanding of women in China needs to be changed. These Qing court dramas, entertaining as they might be, are not helping at all.
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But even in The Story of Yanxi Palace, the protagonist is also the most determined independent soul who dares to stand up to, and argue with, the emperor. If a fictional character from hundreds of years ago can do that, we, as modern women, should be able to take many steps further.
“Holding up half the sky”? Maybe. What matters more is how we do it – with courage, shoulder to shoulder with men.
Haining Liu is a journalist and aspiring author