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Review: Little Pieces – Dominic Wong’s meditation on memory shows new maturity

Hong Kong choreographer’s new work for City Contemporary Dance Company contains moments of magic, even if the finale is too long and pushes dancers and audience to the limits of endurance

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A scene from Little Pieces, Dominic Wong’s new work for the City Contemporary Dance Company. Photo: Cheung Chi-wai
Natasha Rogai

Little Pieces, Dominic Wong Dick-man’s new, full-length creation for the City Contemporary Dance Company, is a striking, ambitious work in which Wong attains a new level of maturity and confidence as a choreographer.

The title refers to the idea that memory is a puzzle made up of many pieces, a fragmentary picture of experiences, relationships and emotions, some remembered, some missing.

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Choreographer Dominic Wong. Photo: Edward Wong
Choreographer Dominic Wong. Photo: Edward Wong
The piece opens with Together, a haunting, elegiac solo by Qiao Yang, accompanied by her own voice, recalling her life in dance and her beloved late sister (represented by a figure standing in the background high above the stage).

Progressing from classroom ballet steps to modern dance and incorporating excerpts from work by Helen Lai Hoi-ling that Qiao has performed, it charts both her development as a dancer and her emotional journey in life.

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After that the mood changes sharply, with the rest of the work set to driving electronic music.

Yuen Hon-wai’s designs have the cast uniformly dressed in simple white and create a frame around the top of the stage with the trunk of a tall tree half seen, half hidden at the back.

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