In Kwan Sheung-chi’s video work Before the End: Pierrot le Fou (1965), the artist is seen tying dynamite around his head before lighting the fuse. Photo: Enid Tsui

How Kwan Sheung-chi’s new Hong Kong exhibition cleverly cajoles you out of political complacency

With ‘Blue is the New Black’, Hong Kong conceptual artist has put together a meticulously arranged exhibition of videos and installations that challenge our easy acceptance of political and social frameworks

Topic |   Art

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In Kwan Sheung-chi’s video work Before the End: Pierrot le Fou (1965), the artist is seen tying dynamite around his head before lighting the fuse. Photo: Enid Tsui
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