Atsuko Maeda (left) and Ryuhei Matsuda in The Mohican Comes Home.

Film review: The Mohican Comes Home – dramedy about father and son plays off conventional Japanese cinema tropes

Story of a struggling punk rock musician returning to his home town to care for his ailing father has plenty of charms, but is ultimately another by-the-book Japanese family drama

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Atsuko Maeda (left) and Ryuhei Matsuda in The Mohican Comes Home.
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