Review | Film review: Mad World – Shawn Yue, Eric Tsang face mental and social ills in sombre family drama
Humanist drama tries to cram all the ills of Hong Kong urban life into 100 minutes, and it makes a few missteps, but this story of a recovering bipolar patient is a brave piece of filmmaking
3.5/5 stars
At the heart of Mad World is a meticulously scripted story about how ordinary people – none of them necessarily bad – find unpredictable ways to hurt each other as a result of their own ignorance. A deglamorised Shawn Yue Man-lok is in top form as Tung, a bipolar patient who has been admitted to a psychiatric clinic since he accidentally caused the death of his bedridden and psychologically abusive mother (Elaine Jin Yan-ling) a year earlier, when he was her primary carer.
Urged by medical staff to reintegrate into society, Tung moves back in with his father (Eric Tsang Chi-wai), a cross-border truck driver who had long been absent from home when Tung and his mother were trapped in a vicious cycle of emotional torture that – in frequent flashbacks – looks certain to end in disaster. (Tung’s Ivy League graduate younger brother, voiced by Wong, stays indifferent.) These painful memories constrict Tung and his father as much as the tiny subdivided flat in which they live.
While Mad World is predominantly a family drama, Wong and Chan demonstrate impressive ambition in their bid to shed light on every conceivable challenge of Hong Kong urban living in the film’s 100-minute runtime. From the terrible living conditions of the city’s poor to the intense work pressure faced by investment bankers, and from the health-care system’s absurdly unsupportive front to the public’s all-too-casual attitude towards online shaming, the narrative somehow manages to squeeze everything in.