Miriam Yeung on her love for Wonder Woman, gaining wisdom through time, and her upcoming Canto-pop concert series
We catch up with the Canto-pop star and actress at the International Film Festival & Awards Macao, where she talks about her ideal roles and how growing up and having a child have changed how she sings her songs
Dressed in a fiery red gown with matching lipstick, Hong Kong pop star Miriam Yeung Chin-wah is all set and ready for the opening night of the International Film Festival & Awards Macao when we catch up with her just before she hits the red carpet.
“Attending a film festival is a really eye-opening experience, even for an actor, because you can see a lot of films from different countries within a fixed period of time. It is almost like you’re touring the world,” says Yeung, who is one of four talent ambassadors – alongside actors Donnie Yen and Jeremy Renner, and South Korean singer Do Kyung-Soo, member of the band EXO – for the second edition of the festival.
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Among the 53 films to be screened at the event, which runs until December 14, there are two films that Yeung is particularly looking forward to: The Shape of Water, the critically acclaimed fantasy romance directed by Mexican filmmaker Guillermo del Toro, and Suburbicon, a crime thriller directed by George Clooney.
“Being a stage performer myself, I am very curious about film genres that I may not have the opportunity to explore, especially creations that are rooted in the local culture of other countries,” says Yeung, 43.
“I know very well my foundation is as a comedy actress,” says Yeung, whose most notable roles include Cherie in the Love in the Puff romantic comedy film series opposite Shawn Yue Man-lok, and as a policewoman in Love Undercover (2002).
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“But there are many different types of comedies and I have never been in a film about black humour or satire. Those roles require actors to have a better sense of timing and more life experience, and they are something I really hope to try.”
Incidentally, Wonder Woman will be the theme song of Yeung’s concerts, Miriam Yeung 3!2!1!Go! at the Hong Kong Coliseum at the end of this month, including one on New Year’s Eve. It is the singer’s seventh show at the venue over an almost two-decade career, yet every show feels just like the very first one, says Yeung.
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“I still think about how I can sing each song and each word better. For many songs from a decade or two decades ago, I did not fully grasp the meanings of the lyrics written by Wyman Wong or Lin Xi then.”
“Now in my 40s, when I look back at A Maiden’s Prayer, the song takes on a whole new meaning. When I was younger, I wanted to become more mature as I thought more people would like me and I did not know the value of youth. When I got older, I realise the quality of being a maiden is not about your age, but your state of mind and temperament, and it becomes something I struggle to keep as life forces me to grow up,” says Yeung.
The countdown theme is not just a celebration of a new year. “There is a deeper and more serious meaning to me. One’s life, from birth to death, is a countdown,” says Yeung. “And every low point in life can be the start of something new.”
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Yeung’s schedule is tight as she has only six months to prepare for the concerts, rather than the customary 10. She spent five months training hard in the gym to build her stamina and strengthen her core. “It may seem crazy but those are the moments where I feel most alive and gain most satisfaction,” says Yeung.
“People ask why I train so hard just to single a couple of songs on stage. But you need to use your core muscles for every minute of the performance, even if just standing in heels. And just because you can sing will not automatically give you a strong core, it’s something you need to work on.”
Yeung already has something bigger in mind for the coming year: improving her vocal skills and projection so she can perform on a bigger stage next time.