Advertisement
Chinese language cinema
CultureFilm & TV

Review | Film review: Somewhere Beyond the Mist – Stephy Tang explores dark side of humanity in Cheung King-wai’s fiction feature debut

Cheung’s tale of a teenage girl from a poor, abusive background who murders her parents and the pregnant policewoman who investigates the crime is a bold, engrossing film and a slow-burning masterpiece

Reading Time:2 minutes
Why you can trust SCMP
Stephy Tang (left) and Rachel Leung in a still from Somewhere Beyond the Mist (category IIB, Cantonese), directed by Cheung King-wai.
Edmund Lee

4.5/5 stars

Nine years after he cemented his stature as one of Hong Kong’s best documentary filmmakers with the acclaimed KJ, and seven years after he tried his hand at making a fiction short with Crimson Jade, Cheung King-wai finally makes his full-length feature debut with Somewhere Beyond the Mist. It is a slow-burning masterpiece that makes you wonder why the 50-year-old didn’t try this earlier.

Although he has scripted Ann Hui On-wah’s Night and Fog (2009) – incidentally also a tragic drama based on a real-life double murder in an underclass family – Cheung’s film, which he wrote, directed and edited, is at once a bolder and more engrossing take on the subject. You’d be hard-pressed to find another portrait of everyday evil that reserves as much sympathy for its malicious protagonists.

Advertisement
Rachel Leung plays a teenage murderer in Somewhere Beyond the Mist.
Rachel Leung plays a teenage murderer in Somewhere Beyond the Mist.

For hell is other people in this unflinchingly grim look at how psychological and physical abuse spreads from one victim to another. Soon after the bodies of a middle-aged couple are recovered from a reservoir, pregnant policewoman Angela (Stephy Tang Lai-yan) is shocked to hear the victims’ young daughter, Connie (Rachel Leung Yung-ting, mesmerising), confess calmly at a routine questioning session.

Film review: The Empty Hands – Stephy Tang is an actress transformed in atmospheric karate-themed drama

Through intense yet detached observations, viewers become acquainted with the horrible, impoverished life – from her father’s outrageously abusive character to her mother’s quiet acquiescence – that pushed Connie to murder with the help of a classmate (Zeno Koo Ting-hin), a docile target of her emotional torture. In an ambivalent stroke, we are also shown Angela’s escalating resentment for her dementia-stricken father.

Advertisement
Select Voice
Choose your listening speed
Get through articles 2x faster
1.25x
250 WPM
Slow
Average
Fast
1.25x