Artist Yank Wong Yan-kwai (right) and filmmaker Angie Chen in a scene from the documentary I’ve Got the Blues (category IIA; Cantonese, English, French), directed by Chen. Artist Yank Wong Yan-kwai (right) and filmmaker Angie Chen in a scene from the documentary I’ve Got the Blues (category IIA; Cantonese, English, French), directed by Chen.
Artist Yank Wong Yan-kwai (right) and filmmaker Angie Chen in a scene from the documentary I’ve Got the Blues (category IIA; Cantonese, English, French), directed by Chen.
Culture /  Film & TV

Review |
I’ve Got the Blues film review: Hong Kong artist Yank Wong receives engaging if rambling documentary portrait

Filmmaker Angie Chen’s profile of renaissance man and long-time friend Wong has an air of self-indulgence, but it also portrays the abstract painter as a thoroughly free-spirited individual who cares only to create and enjoy life

Topic |   Chinese language cinema
Edmund Lee
Edmund Lee

Updated: 6:12pm, 4 Jul, 2018

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Artist Yank Wong Yan-kwai (right) and filmmaker Angie Chen in a scene from the documentary I’ve Got the Blues (category IIA; Cantonese, English, French), directed by Chen. Artist Yank Wong Yan-kwai (right) and filmmaker Angie Chen in a scene from the documentary I’ve Got the Blues (category IIA; Cantonese, English, French), directed by Chen.
Artist Yank Wong Yan-kwai (right) and filmmaker Angie Chen in a scene from the documentary I’ve Got the Blues (category IIA; Cantonese, English, French), directed by Chen.
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