How Crazy Rich Asians made it to cinemas: lucky timing amid #OscarsSoWhite backlash, a great pitch, and its Singapore setting
Producers and director were onto Kevin Kwan’s hit novel early, and from the start saw it as a film with universal appeal. They turned down Netflix, and with Hollywood under pressure to use more non-white actors, Warner Bros. was sold on it

Crazy Rich Asians has all the trappings of a classic Hollywood rom-com. Beautiful people in love. Stunning locations. Disapproving relatives.
But as the first English-language contemporary Hollywood movie with a nearly all-Asian cast since The Joy Luck Club was released 25 years ago, this film is carrying more weight than the typical lighthearted big-screen fantasy.
If the movie does well at the box office, it could open doors for Asian and Asian American actors and filmmakers in Hollywood at a time when US entertainment companies are taking heat for not giving enough opportunities to non-whites. Its success would also be a big win for Warner Bros., which gambled on the film by giving it a wide summer release and a robust marketing campaign.
That’s a lot of pressure to put on a US$30 million love story, especially at a time when the romantic-comedy genre has been all-but-abandoned by the franchise-focused major film companies.
The studio and the filmmakers are about to find out if their bet will pay off. The movie, based on Kevin Kwan’s bestselling novel about a young Chinese American economics professor who discovers her boyfriend comes from one of Singapore’s wealthiest families, is expected to collect a solid US$29 million in the US from Wednesday, when it opens in cinemas, to Sunday, according to pre-release audience surveys.