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Review | Kung Fu Monster film review: Louis Koo on autopilot in unfunny blend of creature feature and wuxia parody

  • From Infernal Affairs to interminable boredom in 17 short years – this witless, repetitive film is emblematic of Andrew Lau’s decline as a filmmaker
  • Story of an imperial animal tamer, his exotic charge and their adventures on the road quickly becomes inconsequential

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Louis Koo and Bea Hayden in a still from Kung Fu Monster (category IIA; Cantonese), directed by Andrew Lau. Zhou Dongyu co-stars.

2/5 stars

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Following such disappointing directing efforts as Revenge of the Green Dragons (2014), From Vegas to Macau III (2016) and The Founding of an Army (2017), Hong Kong filmmaker Andrew Lau Wai-keung’s prolonged search for another critically acclaimed hit continues with Kung Fu Monster, an effects-driven fantasy comedy that contains barely a single witty joke.

A confused mix of creature feature and wuxia parody that delivers neither genre thrills nor any discernible historical perspective, this Ming-dynasty-set tale revolves around Ocean (Louis Koo Tin-lok on autopilot), a kind-hearted animal tamer for the imperial court who escapes from the secret police agency of Eastern Depot with an exotic beast he named ... Lucky.

Once Ocean becomes the target of vicious eunuch chief Crane (Alex Fong Chung-shun), the story’s focus shifts to the band of misfits who subsequently gather at an abandoned inn on Crane’s path.

Under the direction of Bea Hayden’s mysterious beauty, the motley crew try to set a trap to capture Ocean – and the bounty on his head – but are unknowingly in for something much bigger. The gremlin-like Lucky undergoes an Incredible Hulk-like transformation whenever it is enraged.

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