Review: Gainsbourg Symphonic with Jane Birkin - lightweight pop tunes overblown, sounding like a soundtrack in search of a movie
French composer Serge Gainsbourg’s songs have been championed by his widow for 50 years, but it’s debatable whether they merit the lush orchestral treatment given them here
Let’s get the obvious questions out of the way first. Yes, the Hong Kong Philharmonic Orchestra did, indeed, perform Je T’Aime Moi Non Plus, and no, Jane Birkin did not attempt to recreate the vocal part that led to Serge Gainsbourg’s most famous song being described as “the pop equivalent of an Emmanuelle movie”.
It wasn’t listed in the programme, and was played as part of an instrumental interlude that sounded as though it might have been intended originally as an overture, but was played as an encore before Birkin returned to the stage for her final song.
Twenty-one of Gainsbourg’s songs were arranged for voice and orchestra by pianist Nobuyuki Nakajima, and Birkin brought to her interpretations her unique sympathy with the words and music of her former husband. They separated in 1980 and he died in 1991.
She does not have an exceptional voice, but nobody sings Gainsbourg with more commitment or sensitivity to his lyrics. After all, she has been performing his music now for almost 50 years.
This is the second Gainsbourg tribute she has brought to the Hong Kong Arts Festival, a previous show, Arabesque, having featured in the 2004 programme. The point of this one was giving Gainsbourg’s music the full orchestral treatment – and the results were mixed.
As Tim Wong pointed out, slightly defensively, in his programme notes, “For those outside of France it is often difficult to understand the scale of Gainsbourg’s iconic status in his home country”, where he was considered “a musical genius”.
