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Review | Free anniversary concert an exuberant celebration of the music Premiere Performances has brought to Hong Kong

Organiser of chamber music and solo recitals marks 10 years of operations in style with virtuoso performances from some of the artists it has championed

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Violinist Cho-Liang Lin, pianist Alessio Bax and Maxim Rysanov, viola, perform during Premiere Performances’ 10th Anniversary Gala Concert at the Hong Kong Cultural Centre. Photo: PPHK

For classical and romantic European composers, performance of chamber works at home among friends (so-called “Hausmusik”) was an important platform for airing instrumental compositions and songs. This tradition, virtually extinct nowadays, leaves a musical cavity that needs filling. That gap in Hong Kong’s musical life was well perceived by Premiere Performance’s founder, Andrea Fessler, and Sunday evening’s free 10th Anniversary Gala Concert in the Cultural Centre (albeit a problematic venue for chamber music) fittingly celebrated a decade of fine music-making.

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Ewazen’s Grand Valley Fanfare, rousingly performed by the Fiesta Brass Quintet from the balcony behind the stage, aptly kicked off the evening’s festivities, with Australian host Gregory Rivers ensuring a festive mood.

Alessio Bax and Lucille Chung perform Lutoslawski's Variations on a Theme by Paganini for Two Pianos during Sunday’s gala concert. Photo: PPHK
Alessio Bax and Lucille Chung perform Lutoslawski's Variations on a Theme by Paganini for Two Pianos during Sunday’s gala concert. Photo: PPHK

Sa Chen’s playing of Chopin Mazurkas was delightful, showing a Horowitz-like charm and grace in the B minor Mazurka.

A momentary memory lapse didn’t detract from violist Maxim Rysanov’s sumptuous and focused sound production in the first movement of Schubert’s late Arpeggione sonata for viola and piano D. 821, in which he was beautifully accompanied by pianist Alessio Bax.

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Rysanov was then joined by violinist Cho-Liang Lin, violist Andrew Ling, cellist Richard Bamping and Canadian pianist Lucille Chung in an exuberant performance of the first movement of Schumann’s E-flat Major piano quintet. The tumultuous musical exchange left one craving the relief offered by the reflective quietness of the work’s second movement. But a party it was and virtuosic music prevailed.

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