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Concert review: Staatskapelle Dresden - dreamland of German Romanticism

The overwhelming impression of this concert was transcendence. All three composers set up an expectation of arrival points, and then reached an even higher mark. There were multiple moments of this breathtaking effect. It's like a light coming on the stage.

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Christian Thielemann conducts the Staatskapelle Dresden
Alexis Alrich

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I emerged from this concert with Christian Thielemann conducting the Staatskapelle Dresden having basked in a dreamland of German Romanticism, with Liszt's Orpheus, Wagner's Siegfried-Idyll and Richard Strauss' Ein Heldenleben.

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Liszt's Orpheus, Symphonic Poem No 4, is a touching depiction of Orpheus, his lyre and the loss of his wife. The opening was a quiet horn note paired with glinting harp arpeggios. It continued with a melody full of longing. The oboe and violin solos were very sweet and expressive. The piece rose to a stormy peak and subsided to hushed anguish with utmost control.

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