John Wick is a wonderful return to form for Keanu Reeves, who brushes off the disasters that were Man of Tai Chi (2013) and 47 Ronin (2013) by returning to what he does best: acting that can be filed under the "less is more" category.
John Wick
Keanu Reeves, Michael Nyqvist, Alfie Allen Directors: Chad Stahelski and David Leitch
John Wick is a wonderful return to form for Keanu Reeves, who brushes off the disasters that were Man of Tai Chi (2013) and 47 Ronin (2013) by returning to what he does best: acting that can be filed under the "less is more" category.
Reeves plays a retired assassin dealing with the loss of his wife (Bridget Moynahan), and a man brought back into the game after a nasty bunch of Russians steal his car and brutalise the puppy she left behind to help him through the grieving process.
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The thugs had obviously missed Michaël R. Roskam's crime drama The Drop (2014), which also involved a puppy and would have warned them that it makes more sense to let sleeping dogs lie.
Dialogue and often common sense are kept to a minimum, and instead we have Reeves dispensing a brutal style of justice to anyone who gets in his way. This is violence of the most comic-book style and while that sometimes dulls its edge, it in no way lessens the entertainment value of the production.
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Co-directors Chad Stahelski and David Leitch worked alongside Reeves as stunt doubles during The Matrix trilogy and lend the same highly stylised approach to their craft that was seen in those films. The action never really moves out from the shadows and the designer clobber simply adds to the almost effortlessly cool atmosphere as the action shifts into New York at night, and into hotels and lounges that shimmer with style.
