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Hong Kong heritage and cultural complex opens with art by Southeast Asian social activists

  • Malaysian artist collective Pangrok Sulap highlights Hong Kong’s marginalised artisans in show at The Mills in Tsuen Wan
  • Exhibition of Southeast Asian art marks the launch of Centre for Heritage, Arts and Textile at the complex, housed in former cotton mills

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Work by Malaysian artist collective Pangrok Sulap at The Mills in Tsuen Wan, Hong Kong. Photo: K.Y. Cheng
Enid Tsui
People of all ages were literally bouncing up and down at the opening of the Centre for Heritage, Arts and Textile (Chat) at The Mills in Hong Kong on Saturday. They had been put to work by a Malaysian artist collective, Pangrok Sulap, whose name in Bahasa Melayu means “punk rock rest hut” and whose members have made a number of large woodcuts about the city’s marginalised artisans during a residency at Chat, housed in former cotton mills in Tsuen Wan.

The volunteers bopped to the beat of Pangrok Sulap’s own folk music and used their feet to create a banner from one of the woodcuts covered in ink on the floor of the centre’s three-storey glass atrium.

Six eight-metre-long vertical scrolls made earlier from woodcuts were hanging around the atrium, catching the eyes of the crowd that had come to see the new space, whose opening is one of the highlights of Hong Kong’s art month, which culminates in the annual Art Basel art fair.

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The images on the scrolls were inspired by Pangrok Sulap’s visits to the Yen Chow Street fabric market in Hong Kong’s Sham Shui Po district – soon to be demolished – and to the 72-year-old Chi Kee Sawmill and Timber, a business threatened by the development of the northeastern New Territories.

Members of the collective also spoke to former textile factory workers still living in The Mills’ neighbourhood. A defiant ribbon of text in Chinese and English runs through them: “Our Life”, “Our Culture”, “This is our Land”.

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