How extradition law protest art took over a Chinese curator’s Hong Kong exhibition
- Shanghai curator hadn’t intended her show at Para Site in Hong Kong to cover politics, but wanted to see what city artists were doing. Protesting, it turned out
- Protest placards, T-shirts and art students’ sketches of the action against extradition bill feature in show exploring plight of workers in the digital age

When an arts writer in Shanghai submitted an exhibition proposal to Hong Kong’s Para Site for its emerging curators programme at the contemporary art space this summer, her intention wasn’t to delve into local politics. After all, Zhang Hanlu has never lived in Hong Kong and knew little about the place and its people.
In choosing the works of 16 local and international artists and groups, the aim of 30-year-old Zhang is to explore whether the precarious existence of the proletariat, deprived of control over traditional means of production, has improved with the digital age, sharing economy and globalisation.
Some of the exhibits have to do with how artists are experimenting with their own roles – as “service providers” and as activists, for example – and that’s why there is a large section in the exhibition about the protests in Hong Kong against proposed changes to extradition law, put together by members of the Hong Kong Artist Union.

“The Hong Kong perspective is very important to this exhibition and I wanted to find out what local artists are doing as part of my investigation into the changing nature of labour. When I talked to the union members about the exhibition, they said what they were doing right now was being on the streets, protesting against the government’s extradition bill,” Zhang says.